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Maeve Gilchrist

Described by one critic as “a phenomenal harp player who can make her instrument ring with unparalleled purity”, Maeve Gilchrist has taken the Celtic harp to new levels of performance.

Born and raised in Edinburgh, Scotland, and currently based in Brooklyn, New York, Maeve‘s innovative approach to her instrument stretches its harmonic limits and improvisational possibilities.

She tours internationally as a band leader as well as maintaining a number of collaborations including a duo project with percussive dancer Nic Gareiss, a more electronics based project with Viktor Krauss and as a member of the Irish network commissioned ‘Edges of Light’ quartet.

Maeve has appeared at such major music events as Celtic Connections in Glasgow, Tanglewood Jazz festival and the World Harp Congress in Amsterdam. She has released five albums to date, including her most recent recording Vignette, on Adventure Records, with Nashville legend Viktor Krauss, while on her own label her solo Ostinato Project is a beguiling exploration of the possibilities of her instrument.

Maeve was the first lever harpist to join the faculty of the iconic Berklee College of Music in Boston, where she taught for five years before switching to a visiting roots department artist this spring. She has written several instructional books published by Hal Leonard Music. Also an in-demand composer and arranger; this year, Maeve premiered her first concerto for lever harp and symphony orchestra and is currently working on a number of commissions including a string quartet for Irish harp and string quartet.

 http://www.maevegilchristmusic.com/

Guide for Parents

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In accepting a student into The Music School, The City of Edinburgh Council is making a major commitment to resources, and if the School is to be of maximum benefit to its students this commitment must be matched by that of students and parents. This guide is intended to help parents play their part in the process.

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The Selection Procedure

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A preliminary audition can be arranged through the Director of The Music School at any time during the academic year. On the basis of this informal meeting advice will be given on whether or not to proceed further. Those short-listed for a final audition will be called in for assessment by a panel of highly-renowned musicians from both within and outwith the School.

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